Friday, 10 February 2017

Writing a PLAN - a new skill.

I hate being bad at something. If I sign up for a course I tend to do a lot of preliminary research first so i don't appear stupid, which when you think about it, is stupid as I've now signed up to do a course about something I already know a lot about. I find it really hard to sign up for something I'm naturally bad at like - languages. You won;t see me struggling with basic French any time soon. But here I am signed up to a new publisher (yay!) with a great new editor (yay!) who wants me to write a book plan. What's the anti-yay? Help? Howl like a wolf stuck in a hole? 

Like a lot of writers (surveys suggest about half) I start out with an idea and write and it sort of - happens. Then I run out of ideas and it's really nerve-racking, sweating in from the the keyboard in case it doesn't come back. So far, it always comes back but the new bits won't fit with the first bits and then a nasty feeling character C shouldn't come into the story at the beginning after all creeps in - writing like this means a lot of rewriting and restructuring in the second, third and ninth draft. It's downright inefficient.   

Writing a plan makes perfect, brilliant sense. I should definitely do it. Only now I've written A Baby's Bones and now I have to write a plan for the sequel, I'm finding it really hard. I have a story (the easy bit for me) but structuring it in advance has been a real challenge but I think I've done it. It's not a good outline and I have had a lot of help (thank you so much to Ruth and Jane and others who have helped) and I know it sort of meets the basic requirement for an outline - it runs linearly from the discovery of a body to the solving of the crime via some interesting chapters. 

Now my worry is - what happens if an even more fun idea occurs during the writing of the book? What happens if it veers wildly off course into the nettles of improvisation? I do have an editor and agent to run ideas past, of course, but I don't want to bother them all the time. 

On the very plus side - I can get on and write any part of the book - I could make a list of chapters and scenes and draft them out of sequence. That really appeals, I could write the scary bits when I'm sitting at a sunlit desk  - rather than sit up at two in the morning next to a window with no curtains and write the dark stuff until I can't sleep. I just wonder if they would be as creepy!

It's been a positive experience and I hope that in future I will be one of those half planned, half go-with-the-flow writers who plan islands of plot to aim for - I think that would be helpful. 

On that note, I recently wrote the first half of a book called I Will Find You and I actually did have a bit of a plan for that. I'm getting the hang of this writing business - about time.
Picture of my sunlit desk.